Arrival

Arrival – Director Denis Villeneuve

Twelve unknown crafts arrive at different locations around the world. What is their purpose? Why are they here?

Amy Adams plays an expert linguist called on by the government to translate and investigate the extraterrestrial visitor’s purpose whom inhabit the craft. While other countries retaliate on a more aggressive manner, the United States and Adams take a much more subtle and genuine approach. Not only do they need to learn their visitor’s language, but teach them the humans’ language and a way to communicate with each other.

An absolutely beautiful, simple, and placid film. The entire cast kept a gentle feel from beginning to end. The script was easy and understandable, the story is delightful and keeps the audience questioning. “Arrival” demands the viewers curiosity to run wild, literally out of this world. The special effects were not your typical like other sci-fi thrillers; they seemed naturally uncanny which is what made it so wonderful. The music and sound effects were borderline perfect and exactly what I’ve always wish aliens to sound like. The sound and music will give the audience goosebumps, but not in a frightful way.

I can understand how some people may think “Arrival” is a tad slow or even boring, but it’s more for those who appreciate beautiful cinematography and theoretical thinking. I’m not going to lie, I did dose off now and then, but was immediately brought back in. If you’re a fan of “Interstellar” and “Signs”, I’m sure you’ll enjoy “Arrival(s)” simplicity and concept.

Do I think this will win Best Picture? No, probably not, but it deserves the damn respect to be acknowledged as an overall beautifully done film. It does have a chance for winning Best Writing Adapted Screenplay, Best Cinematography, Best Production Design, and Best Sound Editing. And honestly, I’m just really happy an alien movie made it into this category.

8.5/10